UCC Express 14/05/2025 UCC Express 14/05/2025

‘Queer’ Review

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Guest User 10/03/2025 Guest User 10/03/2025

‘No Real Innie Involved’: The Ethical Dilemmas of Succession and Severance

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UCC Express 12/04/2024 UCC Express 12/04/2024

Brothers Graham and David McSweeney Reflect on the Growth of Their Independent Film Company: From a Lockdown Hobby to the Big Screen at Cork Indie Film Festival and The People’s Picturehouse

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UCC Express 08/04/2024 UCC Express 08/04/2024

An Ode to “Unlikeable Female Characters”

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UCC Express 25/03/2024 UCC Express 25/03/2024

A Magical Mystery Tour Across the Beatles Cinematic Universe

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UCC Express 11/03/2024 UCC Express 11/03/2024

The Iron Claw Review: The Real Von Erich Curse was Patriarchy All Along

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UCC Express 11/03/2024 UCC Express 11/03/2024

Are there Any Adaptations That Aren’t Hated?

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UCC Express 01/03/2024 UCC Express 01/03/2024

Female Frankenstein, Marcus Aurelius, and an Oppenheimer Sweep: My Predictions for the 2024 Oscars

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UCC Express 16/02/2024 UCC Express 16/02/2024

Review: Glazer’s Distressing Fever Dream The Zone of Interest is Unforgettable

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UCC Express 12/02/2024 UCC Express 12/02/2024

The Problem with the “Greatest TV Shows of All-Time”

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UCC Express 29/01/2024 UCC Express 29/01/2024

In Praise of David Lynch

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UCC Express 22/11/2023 UCC Express 22/11/2023

The Best Films and TV Shows of 2023

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UCC Express 06/11/2023 UCC Express 06/11/2023

Killers of the Flower Moon Review: Martin Scorsese’s Dazzling but Flawed American Epic

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UCC Express 27/10/2023 UCC Express 27/10/2023

Somebody’s Daughter and Somebody’s Mother: Mother-Daughter Relationships on Screen

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UCC Express 11/10/2023 UCC Express 11/10/2023

Coming Out of the Subtext: A Timeline of Queer Adaptations

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